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	<title>Scenophonie &#187; Lutherie numérique</title>
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		<title>FONOF</title>
		<link>https://www.scenophonie.net/en/editions/fonof/</link>
		<comments>https://www.scenophonie.net/en/editions/fonof/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 15:51:29 +0000</pubDate>
		<dc:creator><![CDATA[camille]]></dc:creator>
				<category><![CDATA[Editions]]></category>
		<category><![CDATA[Lutherie numérique]]></category>

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		<description><![CDATA[&#160; FONOF v2 photo : Pierre Acobas &#160;]]></description>
				<content:encoded><![CDATA[<p>&nbsp;<br />
<img class="alignleft size-large wp-image-330" title="FONOF" src="http://localhost:8888/scenophonie/wp-content/uploads/2012/10/FONOF-266x200.jpg" alt="" width="266" height="200" />FONOF v2<br />
photo : Pierre Acobas<br />
&nbsp; </p>
<p style="text-align:justify";">Interface based on a sensor array to &#8220;Hall effect&#8221;. This principle is used to detect the position of the pieces, but also the distance to the approach to control analog effects. The the FONOF is designed as a shield (extension) for the Arduino. This expansion includes 48 sensors to &#8220;Hall Effect&#8221; (magnetic) that detect the presence and distance of magnetic pieces. The sensed values ​​are transmitted via a USB cable to an application that configures the the FONOF and format data for transmission to other software music composition. Each of the squares of the board can be configured in two modes. The first, &#8220;all or nothing&#8221;, is used to trigger and stop the tracks. The second, &#8220;proportional&#8221; to control analog effects.</p>
<p>&nbsp;<br />
2010, 1 er prototype :<br />
Thomas Sinou and Jason Cook Perte, de Signal<br />
STEIM<br />
2011, 2nd prototype :<br />
Maurin Donneaud and Vincent Roudeaut, La Black boxe, Paris, France.<br />
2012, 3d prototype :<br />
Kerwin Rolland.<br />
Residencies,<br />
Perte de signal (2010, Montreal, Canada)<br />
STEIM (2010 Amsterdam, Netherlands)<br />
Mains d&#8217;Œuvres (2012, Saint-Ouen, France)<br />
Grants :<br />
DRAC (2010, France),<br />
DICRèAM (2010, France),<br />
Conseil regional île Saint Denis (2012, France)<br />
The second prototype of the FONOF, the Magnetic controller<br />
<img src="http://localhost:8888/scenophonie/wp-content/uploads/2012/09/FONOF_-266x200.jpg" alt="" title="FONOF_" width="266" height="200" class="alignleft size-large wp-image-527" /></p>
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		<title>I Am the Echo of the Shadow of a Shadow (I.A.E.S.S.)</title>
		<link>https://www.scenophonie.net/en/projets-solo/je-suis-lecho-de-lombre-dune-ombre-iaess/</link>
		<comments>https://www.scenophonie.net/en/projets-solo/je-suis-lecho-de-lombre-dune-ombre-iaess/#comments</comments>
		<pubDate>Sun, 16 Oct 2011 22:38:37 +0000</pubDate>
		<dc:creator><![CDATA[camille]]></dc:creator>
				<category><![CDATA[Editions]]></category>
		<category><![CDATA[Lutherie numérique]]></category>
		<category><![CDATA[Musique]]></category>
		<category><![CDATA[Projets collectifs]]></category>
		<category><![CDATA[Projets solo]]></category>

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		<description><![CDATA[Performative installation, digital control interfaces and scores... <a href="https://www.scenophonie.net/en/projets-solo/je-suis-lecho-de-lombre-dune-ombre-iaess/"><span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>Performative installation, digital control interfaces and scores (size and duration variables).</p>
<p><img class="alignleft size-large wp-image-551" title="JSEOO" src="http://localhost:8888/scenophonie/wp-content/uploads/2012/10/JSEOO-267x200.png" alt="" width="267" height="200" />Paris, société de curiosités octobre 2009</p>
<p>Installation of controlers and their scores.</p>
<p>The computer screen is removed. Remain to interpret the music sound the partitions and a stopwatch.</p>
<p style="text-align: justify;">This project, recreate the collaborations with the composer, the performer, and the developer (electronics / digital instrument maker).</p>
<p>It leaves the laptop screens and, investigates again, the field of performing electronic music, using interfaces to control the computer.</p>
<p>The scores become the only way in which the musical interpretation can take place because the computer screen is not present and cannot guide or influence the musicians interpreting the composition. Some new digital interfaces are beeing developed for the project.</p>
<p>François Parra 2009, Composition#1, BauhausLab, La friche de la Belle de Mai, Marseille, France.</p>
<p>Diemo Schwarz since 2010, Loop#1 La société de curiosités, Paris,</p>
<p>Collisions (1,2 et 3) Tapage Nocturne, Radio France, Paris.</p>
<p>Mathias Delplanque 2010, Love is a chaotic loop, FRAC des Pays de la Loire, Carquefou</p>
<p>Digital Lutherie :</p>
<p>FONOF, 2010/2012, Perte de signal, Montreal, STEIM Amsterdam, La Black boxe, Paris, Mains d&#8217;œuvres, Saint-Ouen.</p>
<p>Chaotic spinning tops digital controller, 2012, Mains d&#8217;œuvres, Saint-Ouen.</p>
<p><iframe src="http://www.youtube.com/embed/rpX53hb3pZg?list=UUzPPlkBL7VwvlJQIjsnXxTA&amp;hl=fr_FR" frameborder="0" width="560" height="315"></iframe><br />
<a href="http://myownspace.fr/946" target="_blank">http://myownspace.fr/946</a></p>
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		<title>Period 3 implies chaos</title>
		<link>https://www.scenophonie.net/en/editions/period-3-implies-chaos/</link>
		<comments>https://www.scenophonie.net/en/editions/period-3-implies-chaos/#comments</comments>
		<pubDate>Mon, 19 Sep 2011 18:33:50 +0000</pubDate>
		<dc:creator><![CDATA[camille]]></dc:creator>
				<category><![CDATA[Editions]]></category>
		<category><![CDATA[Lutherie numérique]]></category>

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		<description><![CDATA[Period 3 implies Chaos (apalnage#001) Photo numérique 2011 Image Adeline Spengler]]></description>
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<p>Period 3 implies Chaos (apalnage#001)<br />
Photo numérique 2011<br />
Image Adeline Spengler</p>
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